“Sound Horeg” vs. Jaranan: Local Wisdom Confronting the Challenge of Noise Pollution

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Abstract

Abstract: The phenomenon of "sound horeg," an extreme intensity audio system, is becoming increasingly prevalent in Indonesia, posing a serious challenge to public comfort and health due to noise levels exceeding safe limits. This article analyzes the discrepancy between "sound horeg" as contemporary entertainment and Jaranan, a traditional performing art rich in philosophical values and local wisdom. Employing a qualitative approach based on literature review, this research identifies the characteristics and implications of "sound horeg," including its potential for social conflict and environmental damage. In contrast to Jaranan, which functions as a medium for cultural transmission and a guardian of harmony, "sound horeg" tends to be temporary and can be considered "anti-cultural" as it erodes social order. To address this noise challenge, this article proposes the implementation of restorative justice as a humanistic solution for conflict resolution and affirms the relevance of Pancasila's values—particularly the second, third, and fifth principles—as an ethical foundation for balancing freedom of expression with social responsibility. The findings of this research are expected to inspire concrete actions in preserving culture and creating a harmonious environment.

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